News

Handel’s Resurrection with Opera Atelier

Isaiah returns to Opera Atelier in Spring 2020 as St. John in Handel’s early masterpiece The Resurrection.

See the Schedule page for details.

 

Messiah with the Toronto Symphony

Isaiah returns to the Toronto Symphony for Mozart’s arrangement of Handel’s Messiah in December 2019, with conductor Alexander Shelley and soloists Jane Archibald, Emily D’Angelo, and Russell Braun.

See the Schedule page for details.

 

Rufus Wainwright’s Hadrian

In the fall of 2018, Isaiah originated the role of Antinous, Hadrian’s doomed lover, alongside Thomas Hampson, Karita Mattila, Ambur Braid and Ben Heppner in the world premiere of Rufus Wainwright’s Hadrian at the Canadian Opera Company. The New York Times commended his “sweet-voiced” and “daring” performance, and, in Opera News: “the impressive Canadian tenor Isaiah Bell sang with a high, well-rounded, English-style tenor that suited a haughty young male on the brink of manhood.”

 

Profile in Opera Canada

Opera Canada magazine published a profile of Isaiah, by Joseph So, in a recent issue. Read it here.

 

Curlew River at BAM

Isaiah revisited the role of the Madwoman in Mark Morris’ production of Curlew River, giving what The New York Times described as “a performance of exquisite poignancy.” The piece was paired with Morris’ Dido and Aeneas, starring internationally renowned mezzo-soprano Stephanie Blythe as both Dido and the Sorceress.

 

Review: Handel in San Francisco

Bell boasts a strong, glorious voice with heroic, oratorio-style ring. Soaring easily into light sweetness at the start of the duet, he subsequently demonstrated that he can produce multiple colors lower in the range and darken his instrument to proclaim with authority when necessary…Bell’s sound is so classic English, and so fresh, that one can simply hope that he will sing as wonderfully as he did on Friday for decades to come.

San Francisco Classical Voice, reviewing Handel’s Ode for St. Cecilia’s Day with Philharmonia Baroque.

 

Marlow in Heart of Darkness: Review

The San Francisco Chronicle, reviewing the American premiere of Tarik O’Regan’s Heart of Darkness at Opera Parallèle, described Isaiah’s performance in the lead role of Marlow as “sung with exquisite lyricism and an air of heroism…” Read the whole review here.

 

Mendelssohn with the Vancouver Symphony: Review

Seen and Heard International, reviewing the Vancouver Symphony’s performance of Mendelssohn’s Symphony No. 2 (“Lobgesang“), said:

Isaiah Bell was quite stunning in his vocal subtlety and strength. Bell’s voice is so pure and full, with such a lovely ring and evenness in his tone production. His renderings of both “Saget es, die ihr erlöst seid…” and “Stricke des Todes” were events in themselves, and added noticeably to the electricity of the proceedings.

Read the whole review here.

Next on Stage

 
| February 22-24, 2019 |

Handel: Acis and Galatea

San Francisco Chamber Orchestra

Recently

 
| December 17, 2018 |

Handel: Messiah

Oratorio Society of New York
Carnegie Hall

 
| December 7, 2018 |

Handel: Messiah

Vancouver Chamber Choir
Orpheum Theatre, Vancouver

 

| November 24, 2018 |

Mozart: Requiem

Regina Symphony Orchestra

 

| November 9, 2018 |

Britten: War Requiem

National Arts Centre Orchestra
Ottawa
 

| October 13 - 27, 2018 |

Rufus Wainwright: Hadrian

Canadian Opera Company
Four Seasons Centre, Toronto